MELODIC INTERVAL DISCRIMINATION AND THE INFLUENCE OF TRAINING = LA DISCRIMINATION DES INTERVALLES MELODIQUES ET L'INFLUENCE DE L'ENTRAINEMENTROWE RS; IVINSKIS A.1972; AUSTRAL. J. PSYCHOL.; AUSTRAL.; DA. 1972; VOL. 24; NO 2; PP. 187-192; BIBL. 8REF.Article

PERCEPTION OF SIMULTANEOUSLY PRESENTED MUSICAL TIMBRESSTERN RM JR.1972; MASSACHUSETTS INST. TECHNOL., RES. LAB. ELECTRON., QUART. PROGR. REP.; U.S.A.; DA. 1972; NO 106; PP. 209-210; BIBL. 1REF.Serial Issue

VISUALISATION ET CRITERES DE PHASE DE SONS COMPLEXESBLADIER B.1973; C.R. ACAD. SCI., B; FR.; DA. 1973; VOL. 276; NO 11; PP. 401-404; BIBL. 7 REF.Serial Issue

PERCEPTION DE LA TRANSITION DE SONS MUSICAUXVOLODIN AA.1972; VOPR. PRIKHOL.; S.S.S.R.; DA. 1972; VOL. 18; NO 4; PP. 51-60; ABS. ANGL.; BIBL. 4REF.Article

MUSICAL TIMBRE RECOGNITION BASED ON A MODEL OF THE AUDITORY SYSTEMBOURNE JB.1972; MASSACHUSETTS INST. TECHNOL., RES. LAB. ELECTRON., QUART. PROGR. REP.; U.S.A.; DA. 1972; NO 106; PP. 205-209; BIBL. 4REF.Serial Issue

A PHYSIOLOGICAL APPROACH TO AESTHETIC PREFERENCE. II. MUSICDE JONG MA; VAN MOURIK KR; SCHELLEKENS HMC et al.1973; PSYCHOTHERAPY AND PSYCHOSOM.; SWITZ.; DA. 1973; VOL. 22; NO 1; PP. 46-51; BIBL. 5REF.Article

THE EFFECT OF AFFECTIVE STATE AND EMOTIONAL AROUSAL ON MUSIC APPRECIATION = L'EFFET DE L'ETAT AFFECTIF ET DE LA TENSION EMOTIONNELLE SUR L'APPRECIATION DE LA MUSIQUECANTOR JR; ZILLMANN D.1973; J. GEN. PSYCHOL.; U.S.A.; DA. 1973; VOL. 89; NO 1; PP. 97-108; BIBL. 9 REF.Article

RECOGNITION OF MELODIC TRANSFORMATIONS: INVERSION, RETROGRADE, AND RETROGRADE INVERSION = RECONNAISSANCE DE TRANSFORMATION MELODIQUES: INVERSION, RETROGRADATION ET INVERSION RETROGRADEDOWLING WJ.1972; PERCEPT. AND PSYCHOPHYS.; U.S.A.; DA. 1972; VOL. 12; NO 5; PP. 417-421; BIBL. 10REF.Article

A MULTIDIMENSIONAL STUDY OF PERCEPTUAL-EMOTIONAL QUALITIES IN MUSIC = UNE ETUDE MULTIDIMENSIONNELLE DES QUALITES PERCEPTION-EMOTION EN MUSIQUEWEDIN L.1972; SCAND. J. PSYCHOL.; SWED.; DA. 1972; VOL. 13; NO 4; PP. 241-257; BIBL. 1P.Article

PERCEPTUAL CONFUSIONS BETWEEN FOUR-DIMENSIONAL SOUNDSWEBSTER JC; WOODHEAD MM; CARPENTER A et al.sdJ. ACOUST. SOC. AMER.; U.S.A.; DA. 197; VOL. 53; NO 2; PP. 448-456; BIBL. 8REF.Serial Issue

SEMANTIC RESPONSES TO SOUND DURING PERFORMANCE = REPONSES SEMANTIQUES AU SON AU COURS DE LA PERFORMANCEIWATA O.1972; PSYCHOLOGIA; JAP.; DA. 1972; VOL. 15; NO 3; PP. 181-189; BIBL. 6REF.Article

EXAMEN CRITIQUE DE LA CONCEPTION DU SENS MUSICAL EN PSYCHOLOGIE EXPERIMENTALEDETROCH D.1972; REV. PSYCHOL. SCI. EDUC.; BELG.; DA. 1972; VOL. 7; NO 3; PP. 327-341; ABS. NEERL. ANGL.; BIBL. 17 REF.Article

DIMENSION ANALYSIS OF THE PERCEPTION OF INSTRUMENTAL TIMBRE = ANALYSE DIMENSIONNELLE DE LA PERCEPTION DU TIMBRE INSTRUMENTALWEDIN L; GOUDE G.1972; SCAND. J. PSYCHOL.; SWED.; DA. 1972; VOL. 13; NO 3; PP. 228-240; BIBL. 24 REF.Article

ABSENCE OF STIMULUS EFFECTS IN DICHOTIC SINGING = ABSENCE DES EFFETS DU STIMULUS DANS LE CHANT DICHOTIQUEBARTHOLOMEUS BN; DOEHRING DG; FREYGOOD SD et al.1973; BULL. PSYCHON. SOC.; U.S.A.; DA. 1973; VOL. 1; NO 3; PP. 171-172; BIBL. 5 REF.Serial Issue

PERCEPTUAL CONFUSIONS BETWEEN FOUR-DIMENSIONAL SOUNDSWEBSTER JC; WOODHEAD MM; CARPENTER A et al.1973; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1973; VOL. 53; NO 2; PP. 448-456; BIBL. 8 REF.Serial Issue

ALBERT WELLEKEWERT O.1972; ARCH. PSYCHOL.; DTSCH.; DA. 1972; VOL. 124; NO 2-3; PP. 87-100Article

PRESENTATION DE NOTRE ORGUE EXPERIMENTAL: LE CANTORLEIPP E; SAPALY J.1972; REV. ACOUST.; FR.; DA. 1972; VOL. 5; NO 21; PP. 297; ABS. ANGLSerial Issue

ON THE INFLUENCE OF THE NUMBER AND PHASE OF HARMONICS ON THE PERCEPTIBILITY OF THE PITCH OF COMPLEX SIGNALSBILSEN FA.1973; ACUSTICA; ALLEM.; DA. 1973; VOL. 28; NO 1; PP. 60-65; ABS. ALLEM. FR.; BIBL. 30 REF.Serial Issue

Perceptions musicales et conscience phonologique: recherche auprès d'enfants francophones d'âge préscolaire = Musical perceptions and phonological awareness: Research among francophone preschoolersBOLDUC, J; MONTESINOS-GELET, I; BOISVERT, S et al.Psychologie française. 2014, Vol 59, Num 3, pp 247-255, issn 0033-2984, 9 p.Article